A serious new player in the music industry was launched this week by Larry Jackson, the US-based A&R impresario, and a former Global Creative Director at Apple.Jackson's new company, gamma, counts a high-profile list of financial supporters including Todd Boehly’s Eldridge Industries, as well as his former employer – Apple – plus A24.Gamma’s first acquisition was also named this week as Roy LaManna-founded distribution and services company Vydia, which has previously worked with artists including Akon, Kanye West, Mr Eazi, and Anuel AA.Jackson's gamma has also struck partnerships with Snoop Dogg and Death Row Records, plus Rick Ross, Naomi Campbell, and The Shade Room.
Also this week, the Recording Industry Association of America (RIAA) published its 2022 Year End report on Thursday (March 9), which tells us that on a retail basis, recorded music revenues in the US (money spent on streaming subscriptions, as well as physical and digital music), grew 6.1% YoY, to $15.9 billion, in 2022.Streaming (including paid subscriptions, ad-supported services, digital and customized radio, social media platforms, digital fitness apps and others) generated the majority ($13.3bn) of that annual revenue haul.RIAA’s data also shows that retail revenues from paid subscription services grew 8% to $10.2 billion in 2022, exceeding the $10 billion mark annually for the first time.Elsewhere, Spotify revealed on Wednesday (March 8) that as of 2022, its all-time payouts to the music industry are approaching $40 billion (including both recording and publishing royalties).Plus, Eliah Seton was named CEO of SoundCloud, while Shamrock Capital was reported to have acquired a portion of Metro Boomin’s publishing catalog for nearly $70 million.Here's what happened this week...
Spotify hosted its second Stream On event in Los Angeles on Wednesday (March 8), to announce new product updates and tools for artists.The company also updated its annual music royalties report, Loud & Clear, in which it published a trove of stats about what artists and rightsholders earn from music on the platform.Spotify says that "nearly 70%" of every dollar it generates from music "is paid back as royalties to rightsholders, who then pay the artists and songwriters, based on the agreed terms".These rightsholders include record labels, publishers, independent distributors, performance rights organizations, and collecting societies.The headline stat published by Spotify on Wednesday is that as of 2022, Spotify’s all-time payouts to the music industry are approaching $40 billion (including both recording and publishing royalties)... (MBW)
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